INSTRUCTIONS TO CANDIDATES
- This paper contains of three sections A,B and C.
- Answer all the questions in section A and B.
- Answer any ONE question from section C.
SECTION A (20Mks)
Answer all questions in this section in the space provided.
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- Describe tactility as used in Art and Design. (1mk)
- State one intermediary colour and give it’s complement. (1 mk)
- Study the following picture and answer the questions that follow.
- Name the concept of drawing illustrated in the picture (1mk)
- State the main technique used to produce the composition. (1mk)
- State one use for each of the following media used in art (1mk)
- Thinner
- Primer
- Mention two types of cylinders used in lithographic printing (1mk)
- Study the illustration bellow and answer the questions that follow.
- Name the parts labeled X and Y (1mk)
- State one maintenance practice for the above tool. (1 mk)
- The diagram bellow shows a block printed work, study it and answer the questions that follow.
- Give any two characteristics of the printing technique (1mk)
- Name two types of prints seen in the work (1mk)
- State the function of the following devices used in poetry (2mks)
- Pug mill
- Pyrometric cones
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- State two types of the plain weave techniques (1mk)
- Mention the other name for the ghiordes knot (1mk)
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- Give two reasons why you would prefer metallic ornaments to wooden ones (1mk)
- Name one decorative technique for metallic ornaments (1mk)
- Identify the above tool. (1mk)
- Give two characteristics of fabrics decorated using the above tool (1mk)
- Distinguish between a macquette and an armature in 3d artworks. (2mks)
SECTION B (25MKS)
Answer all questions in this section in the spaces provided.
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- State two types of photographic illustrations used in graphic design. ( 1mk)
- Explain any two types of layouts that can be adopted for a graphical art piece. (2mks)
- Illustrate monogram for a company ‘TUMAINI HOME BUILDERS’. (2mks)
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- State and explain the classifications of clay (2mks)
- Distinguish between updraught and downdrought as applied in pottery (2mks)
- Give one advantage of using an electric kiln for firing clay articles.
- Study the following picture and answer the questions that follow.
- Name the technique used to produce the art work (1mk)
- State two ways of enhancing actual stability of such pieces (2mks)
- State two advantages of casting as asculptural technique. (2mks)
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- State the function of the following devices in weaving (2mks)
- Shuttle
- Warp
- illustrate the warping processes of adowel loom in the space bellow (2mks)
- Describe a selvedge. (1mk)
- State the function of the following devices in weaving (2mks)
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- Give the other name of value. (1mk)
- Distinguish between tonal variation and tonal range. (2mks)
- Describe a colour triad using an appropriate illustration. (2mks)
SECTION C (15mks)
Answer only one question from this section in the space provided after question 9.
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- Explain the following terms as used in painting. (3mks)
- Fresco painting
- Easel
- Pointilism
- State two advantages of water based paints over oil based paints (2mks)
- Discuss five techniques of painting (10mks)
- Explain the following terms as used in painting. (3mks)
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- Distinguish between jewellery and ornaments (2mks)
- Explain three techniques of making ornaments ( 3mks)
- Discuss the role of ornaments in the traditional African society (10mks)
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- Describe the following printing techniques; (2mks)
- Frottage.
- Gravure
- Explain any three mono printing techniques. (3mks)
- Explain the process of printing a mono-coloured pattern using a stencil. (10mks)
- Describe the following printing techniques; (2mks)
MARKING SCHEME
SECTION A
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- Tactility is the ability of texture to be perceived by touch. (1x1mk) 1mk
- (intermediate/intermediary colours are tertiary colours)
- Red purple - yellow green
- Blue purple - yellow orange
- Red orange – blue green
- Yellow orange – blue purple
- Blue green - red orange
- Yellow green – red purple (Any one set x 1) 1 mk
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- foreshortening
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- Dry media technique (use of pencil)
- wet media (pen and ink) (any 1 x 1) 1 mk
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- Thinners are used to dilute paint to the required thickness/consistency.
- Primer used to make a surface less absorbent in preparation for artwork e.g. painting. (2 x ½ ) 1 mark
- Cylinders used in lithographic printing
- Plate cylinder
- Blanket cylinder
- Impression cylinder (any 2 x ½) = 1 Mk
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- X - Ferule
- Y - Bristles (2 x ½) = 1 Mk
- Wash and dry after use and store well (1 x1) = 1 Mk
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- Characteristics of block printing
- Raised design to produce positive prints
- Sunken design to produce negative prints
- reversed design
- Neat/sharp edges (any 2 x ½ Mk)
- Types of prints seen in the artwork
- Positive prints
- Negative prints (2 x ½ ) = 1 mk
- Characteristics of block printing
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- Pug mill; used to mix clay and water to form slip
- Pyrometric cones are used to ascertain that optimum temperatures have been attained in a kiln (2 x 1mk) = 2 Mk
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- Types of the plain weave techniques
- Open work weave
- Warp faced weave
- Weft faced weave
- Balanced weave
- Ghiordes knots – Turkish knot. (1x1mk) = 1mk
- Types of the plain weave techniques
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- Metallic ornaments are stronger than wooden ones hence more durable.
- There are different types of metals giving room for a diversity of types to choose from.
- Aesthetic value is highly pronounced in metallic ornament as compared to wooden ones (Any 1 x 1) = 1 Mk
- Decorative techniques for metallic ornaments
- Coating with a superior metal
- Painting with appropriate metal paint
- Polishing with metal polish
- Bluing
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- Tjanting
- Characteristics of fabrics decorated using batik
- Outlined effect
- Scratched effect
- Crumpled effect
- Blocked effect
- A macquette is a small sculpture that an artist uses a guide when making a larger piece while an armature is a skeletal structure that is fleshed up as a basis for a sculpture (2x1mk) = 2 mks
SECTION B
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- Photographic illustrations
- Photographs
- Photograms (2 x ½ mk) 1 mk
- Types of layouts in graphic design
- Symmetrical layout; elements evenly distributed on both sides of axis
- Asymmetrical layout, elements are unevenly distributed on both sides of an axis
- Radial layout, elements are distributed from a point /centre outwards (Any 2x 1 Mk) = 2 marks
- The letters should be inter-twining (2 marks)
- Photographic illustrations
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- Primary/residual clay; this is clay formed next to the parent rock and is pure.
- Secondary/sedimentary clay; this is clay that forms away from the parent rock and is impure. (2 x 1 Mk) 2 mks
- Up draught is the upward movement of hot air/current in a dome – shaped kiln while… down draught is the downward movement of hot air/current in a dome – shaped kiln (2 x 1 Mk) = 2 mks
- Advantages of using an electric kiln.
- Items are clean
- Temperatures can be regulated according to specific clay bodies (Any 1x1mk) 1 Mk
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- Carving (1x1mks) 1 mk
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- Using heavier material at the bare of sculpture
- Widening the base of sculptures
- Fixing sculptures to strong supports by welding or cementing (Any two appropriate x 1) 2mks
- Advantages of casting
- Production of identical articles
- Mass production of articles
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- Shuttle is used to hold wefts for easy movement through a shed during weaving.
- Warps provide a base for inter taking with wefts during weaving. (2 x 1 Mk) 2 mks
- it should be wound over the dowel to form a figure –eight impression (2 marks)
- a "self-finished" edge of a piece of fabric which keeps it from unraveling and fraying.
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- Tint
- A triadic color scheme is comprised of three colors evenly spaced on the color wheel.
SECTION C
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- Fresco painting; the art of painting on wet concrete
- Easel; the stand on which a painting or drawing is placed when being worked on
- Pointillism, the art of using dots of paint to create a composition. (3x1) 3 mks
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- Water – based paints dry faster than oil – based paints.
- Water – based paints are less toxic than oil – based paints
- They are easier to uses as they are diluted water. (Any 2 x 1) 2 mks
- Painting techniques
- resist technique; used of a resist medium to prevent paint from reaching some areas.
- Dry media, use of paint in dry form e.g. crayons and pastels to paint.
- Mixed media, use of a variety of media e.g. wet and dry paints to create a composition
- Fresco; art of painting on wet concrete.
- Sfumato, blending colours harmoniously into each other
- Washout; applying wet paint over large surfaces in flat or graded washes.
- Brush stroke, using a brush with paint to wave strokes and thins create a composition (Any 5x2) = 10 mks
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Jewellery Ornaments Made using locally available materials made using minerals and/or precious stones/metals Adorns only human beings adorns both human beings and objects - Techniques of ornamentation, (should be based on material used)
- Bone jewellery; use of bones to make ornaments
- Metal Jewellery; use of metals to make ornaments
- Paper mache ornaments; use of paper mache to make ornaments
- Beadwork; use of beads to make ornaments (any 3 relevant x 1) = 3 mks
- Role of ornaments in traditional African Societies
- Economic role; made to be sold as a means of livelihood.
- Religious roles; used for religious functions e.g. masks when exorcising demons
- Social role; ornaments worn to show the status of individuals ie. to insinuate wealth.
- Political role; specific ornaments e.g. head gears worn by political leaders to show authority
(5x2) = 10 mks
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- Frottage; printing by planning a surface over a textured object and rubbing a medium over it to get the impression onto the surface.
- Gravure; printing by use of a rotary wheel with impressed designs with ink. And the wheel rotates, it prints a surface.
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- Blotting; printing by folding a surface over area with paint and pressing it to produce a mirrored print.
- String printing; using a string with ink to print by placing it between sheets of materials and pulling if under pressure.
- Marbling; placing oil-based paint over water and them laying paper over the paint to absorb it thus print the paper
- Blowing; dropping paint or ink on a spot and blowing it to different directions to create an impression.
- Frottage; placing a material over an object with desired impression and rubbing a medium over the surface to print it
(any 3x1) 3 mks
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- Collect tools and materials
- sketch your design
- transfer the sketch onto a sheet of thin material with definite dimensions
- make registration marks on your surface
- identify the specific pattern to be made
- place the stencil on the material to be printed and dub ink or paint through the negative space
- Repeatedly print the surface until your pattern is complete
- let your work dry
- trim your work to required size and shape
- Display your work for critique (10 marks)
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